The theory of rasa applied to

Similarly, the action of Vira may be instrumental in evoking Adbhuta.

The Natya Shastra mentions six rasa in one section, but in the dedicated section on rasa it states and discusses eight primary rasa.

The Aitareya Brahmana in chapter 6, for example, states: In Rigvedait connotes a liquid, an extract and flavor. The Natysashastra A key text which deals with the emotional theory of Rasa is the Natyashastra the Textbook on Dramaattributed to Bharata Muni some academics believe that it is more likely to be a compilation by several different authors.

Rasa (aesthetics)

But this method does not apply to the other Rasa-s. Individuals are free to define the content of their character—but basic identity as a member of the human species cannot be altered. He promises to send word to Romeo — intending the two lovers be reunited in the Capulet vault.

In Indian drama, for example, the Anubhavas communicate to the audience, the emotions being felt by the characters onstage. Any devotee whose mind is completely focused on Krishna will, it is said, involuntarily display evidence of that devotion, so that here, the Sattvikabhavas become markers of intense devotion.

Srngara is based on the Sthayi bhava of Rati love which results in the case of men and women, of healthy youth. The basic human emotions are themselves insufficient, and must be continually refined. Fear is the Sthayi bhava of Bhayanaka Rasa.

Abhinavagupta likens it to the string of a jeweled necklace; while it may not be the most appealing for most people, it is the string that gives form to the necklace, allowing the jewels of the other eight rasas to be relished.

And a poem, according to it, is a sentence or sentences containing juices, which stimulate the juices of emotion. For Bharata, Rasa — the flavour or taste, emerges from from the combination of the various emotional factors in the same way that the distinctive flavour of a cooked dish results from the different ingredients and the manner in which it is prepared.

The ‘Theory of Rasa’ Applied to Romeo and Juliet

Since tabula rasa states that humans are born with a "blank-slate", Rousseau uses this to suggest that humans must learn warfare. The realisation of Rasa is said to result from the union of three interrelated elements — Vibhava, Anubhava and Vyabicaribhava and also the permanent mood called Sthayibhava.

Rasa Theory

Alambana, the personal or human object and substratum, and Uddipana, the excitants. Abhinavgupta says imitation is reflection Anukriti Adhasa.Tabula rasa: Tabula rasa, (Latin: “scraped tablet”—i.e., “clean slate”) in epistemology (theory of knowledge) and psychology, a supposed condition that empiricists attribute to the human mind before ideas have been imprinted on it by the reaction of the senses to the external world of objects.

Tabula rasa

Comparison of the. basically a semantic theory. Rasa siddhanta is an affective theory. Though it is Bharata who is credited with having originated the rasa theory it was Abhinava ~upta~ who developed it into a systematic poetic principle.

Anandavardhana was the chief exponent of the Dhvani Theory. The 'Theory of Rasa' Applied to Romeo and Juliet Essay THEORY OF RASA RASA (AESTHETICS) A rasa (Sanskrit: रस lit. 'juice' or 'essence') denotes an essential mental state and is the dominant emotional theme of a work of art or the primary feeling that is evoked in the person that views, reads or hears such a work.

Generally, proponents of the tabula rasa theory also favour the "nurture" side of the nature versus nurture debate when it comes to aspects of one's personality, social and emotional behaviour, knowledge and sapience History.

Tabula rasa is a Latin phrase often translated as "blank slate. Rasa Theory The word rasa within the Hindu context, specifi- of the earliest Upaniṣads, the specific instance cally for certain devotional bhakti traditions, has within which the word appears in the come to refer to the ultimate experience of a tran- Taittirīyopaniṣad had taken on significance for scendent and perfect love.

Rasa and Bhakti. The fusion of Rasa theory and Bhakti is widely attributed to Rupa Gosvami, a disciple of Caitanya, who is credited with two key texts examining emotional devotion – the Bhaktirasamrtasindhu (“River of the Immortal Nectar of .

The theory of rasa applied to
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