One explanation is that she spent so long lying to everyone else that she eventually believed her own lies. Stanley is earthy, unrefined, sensual, and sometimes violent, in every way the opposite of the image of Southern gentility Blanche tries to project.
She deceives him into thinking her prim and proper but in actuality, Blanche would like to be prim and proper. She feels that she had failed her young husband in some way. Stanley loves Stella, though he is possessive, dominant, and occasionally abusive toward her.
In the middle of the dance, Blanche told her young husband that he disgusted her. Though she has strong sexual urges and has had many lovers, she puts on the airs of a woman who has never known indignity.
Read an in-depth analysis of Stanley Kowalski. She goes with the doctor because he seems to be a gentleman and because he is a stranger. First told to leave and then raped by Stanley, Blanche suffers an emotional collapse, retreating completely into the beautiful but delusional world to which she had tried so desperately to cling in reality.
After a drunken Stanley hits Stella who is pregnantshe returns to him partly because the sexual attraction between them is so strong. She does not want to see things clearly but wants all ugly truths covered over with the beauty of imagination and illusion.
We also have to remember that Blanche is an English teacher, and romance and fantasy are part of her profession. I misrepresent things to them.
Her vision of a man like Shep Huntleigh—the quintessential Southern gentleman—is as far from possibility as Stanley standing up to show respect when Blanche enters the room.
She knows no other way to enter into her present surroundings. With his Polish ancestry, he represents the new, heterogeneous America. The boy leaves bewildered after Blanche hits on him and gives him a passionate farewell kiss.
She famously tells Mitch: Immediately following this event, Blanche was subjected to a series of deaths in her family and the ultimate loss of the ancestral home.
As she leaves, she says, "I have always depended on the kindness of strangers. Stella is more realistic than her sister, accepting Stanley and his working-class world rather than trying to re-create the life of wealth and privilege that has long since vanished for the DuBois family.
She refuses to see herself as she is but instead creates the illusion of what ought to be. One important characteristic of Blanche is that she seems unable to relate to men in a non-sexual way, even men with whom it would be completely inappropriate for her to have a sexual relationship like her brother-in-law, Stanley.
Likewise, she must change the apartment. One of the most tragic aspects of this story is that we have a hard time imagining an alternative ending. But, later, when Blanche orchestrates a telegram to the supposedly rich and adoring Shep Huntleigh, it looks as though her fantasies are going overboard.
She would never willingly hurt someone. After the death of Allan—intimacies with strangers was all I seemed able to fill my empty heart with.
She felt also that she was cruel to him in a way that Stanley would like to be cruel to her. Blanche DuBois is an uber-tragic figure. But because the chivalric Southern gentleman savior and caretaker represented by Shep Huntleigh she hopes will rescue her is extinct, Blanche is left with no realistic possibility of future happiness.
After their first argument in Scene Two, she tells Stella: Pablo is Hispanic, and his friendship with Steve, Stanley, and Mitch emphasizes the culturally diverse nature of their neighborhood. Thus she forces Mitch to leave. Read an in-depth analysis of Blanche DuBois. Throwing her head back and laughing shows her signs of flirting which is her means of manipulating men.
He lacks ideals and imagination. There, Stella married lower-class Stanley, with whom she shares a robust sexual relationship. They went that night to a dance where a polka was playing.
Though he is clumsy, sweaty, and has unrefined interests like muscle building, Mitch is more sensitive and more gentlemanly than Stanley and his other friends, perhaps because he lives with his mother, who is slowly dying.In Tennessee Williams' play, A Streetcar Named Desire, the readers are introduced to a character named Blanche DuBois.
Blanche is Stella's younger sister who has come to visit Stella and her husband Stanley in New Orleans. In Tennesse Williams's A Streetcar Named Desire, Blanche DuBois is a character of weakness, confusion, and deception in direct opposition to Stanley Kowalski, the strong,well-built, crude and direct husband of Blanche's sister, Stella.
A Streetcar Named Desire study guide contains a biography of Tennessee Williams, literature essays, quiz questions, major themes, characters, and a full summary and analysis. A Streetcar Named Desire by Tennessee Williams.
Buy Study Guide Blanche Dubois. Not quite a heroine, Blanche is the complicated protagonist of the.
Character Analysis of Blanche DuBois in Tennessee Williams' A Streetcar Named Desire - Character Analysis of Blanche Through Text and Symbolism in A Streetcar Named Desire Tennessee Williams was once quoted as saying "Symbols are nothing but the natural speech of drama the purest language of plays" (Adler 30).
Blanche DuBois Character Timeline in A Streetcar Named Desire The timeline below shows where the character Blanche DuBois appears in A Streetcar Named Desire. The colored dots and icons indicate which themes are associated with that appearance.
A Streetcar Named Desire Homework Help Questions In A Streetcar Named Desire, who is the real Blanche: the innocent and charming lady or the The character of Blanche duBois in A Streetcar named Desire is, if not necessarily a "likable" one, one with whom we can sympathize.Download